PICKING DAVID’S DREAMGIRL!!!

And the next hour is like making this montage. And it's like, and I think why, why I want to talk about it is because it's so not what you see, but it's the equivalent amount of fun. Does that make sense? Making it is fun. Because like, because yeah, because the actual process of making the montage is fun, but it's not real. Does that make sense? So like being like, like, Zane, you walk out with cocaine and spill it. Like, that's really funny. It's really fun to watch. So I'm just wondering if like when people see those montages, if they're like, man, these guys fucking don't quit. I was watching something interesting. This is— sorry, this is such a bad segue because I'm not comparing my stuff to his at all. Sure, but Martin Scorsese— no, it's actually exactly like that. But I was watching a Christopher Nolan thing and he was talking about how he does special effects and in videos. He doesn't like using like actual special effects. He likes it to be the real thing. I saw that. Yeah, but his excuse is like, I'll use special effects, but at the end of it, it needs to be something real, which I think is pretty interesting. Pretty cool. Which is kind of like, like when we make something, like there'll be a lot of things that'll be like, like we'll add things to tweak it to, but like the moment's always real.