Best Friend Calls Me Out
Um, yeah, but I just like don't know how. I don't know how. Like, that's my problem is like everything that we shoot, I have like such a vision for And then when we get to the edit, it's like completely the opposite of what I envisioned. I'm like, oh, this isn't what I wanted at all, but I still like this. So like, and I don't think you can do that with a movie. And like, I can't— like, if I sat next to— if I storyboarded with someone and I saw some things, I know day— like, let's say we storyboarded a scene in the hotel, right? There's like Natalie's— Natalie, a character's having a fight with someone else in a hotel room. We'd get to the hotel and then I'd see the room right next door and I'd be like, wait, this room's better. Do you know what I mean? Like those little pivots you can't do when you're shooting a film and you have like 40 people setting up. Like when you, when you're doing a vlog, it's like, it's obviously it's nothing like that. You're just like, what corner has the best lighting?